Chaos Rehearsals at SLUG, Leipzig (solo)



DEATH DRIVE, with Fer Boyd, Mariana Echeverri, and Rebekah Bide, at Outer Space, Brisbane

Our Fuming Lips Make A New Mirage, SHELL LIKE Remote Listening #1



Portable Monument commissioned by BBC and ICA for UK national radio broadcast, in collaboration with Mikatsiu, produced by Fer Boyd

+ Screening of Portable Monument at Current Transmissions, ICA London, February 2020

Circling the Drain, performed and exhibited at Well Projects, Margate, as part of I’m in the bath on all fours, toward blue water (my nose is bleeding)



Future Skinned: Madeleine Stack at Metro Arts, Brisbane (solo)

THE END OF THE WORLD: Madeleine Stack and Romii Fulton-Smith at Wreckers Artspace, Brisbane

The Green House for SHELL LIKE Our Fuming Lips Make a New Mirage at This is the Gallery and the Gallery is Many Things at Eastside Projects, Birmingham

The Mouth Takes A Bite Out of This Cruel Summer (SHELL LIKE #4) at Lux Moving Image, London

Circling the Drain for ULTIMATE FANTASIES at Guest Projects, London

Narrative Realities at Gossamer Fog, London

The Annas for Paperwork at Peer Gallery, London



Fatal Softness: Pauline Batista and Madeleine Stack at The Koppel Project

How are you still clean? at Institute of Contemporary Arts, London (with Mariana Echeverri)

Vitrinerie, Goldsmiths MFA Degree Show

Videosnack at Cosmos Carl


PORTAVOZ, Sham Romance, Chalton Gallery

Translucid, East Anglia Records – Rhythm and Disappointment

Screening of BLUE TIME with live vocal scoring by Natalie Galpern, Trans-Pecos, Bushwick NY

Rearview Ocean, with SHAM Collective at Chalton Gallery

Performance reading of Soft Opening (excerpt) at SHAM Romance

Performance reading of Planet Hysterica at Alaska Projects for SafARI



Compulsion Loop with Chris Bennie & Marnie Edmiston at Boxcopy

+ Catalogue Essay by Sarah Barron

Shape of Things to Come at The Block



Don’t Look So Offended by Fake Estate ARI at WITCHMEAT ARI