2022
Chaos Rehearsals, poetry collection
+ review by Mau Baiocco on SPAM
+ podcast discussing the book on Montez Press Radio
God’s Gloryhole, a play by Fer Boyd and Madeleine Stack
Finalist in BOMB 2022 Poetry Contest
2020
Three poems: the water park, harvesting, and montgat, on Hotel
2019
Is Three Possible? Did Two Ever Exist? for Doggerland, A Reader: on Sociality and Idiocy
+ Podcast discussing the essay
+ Performance of Is Three Possible? Did Two Ever Exist? on Montez Press Radio at Cell Project Space, London
Botulism for Sidney McMahon’s Canter at Outer Space
The Annas script published in I’m in the bath on all fours… book by Well Press
2018
Archwife for Dana Lawrie’s ‘Grasp the Nettle’ at Metro Arts
Meniscus text to accompany Future Skinned
2017
Turn your stream into my garden for Leste Magazine #3 (with Mariana Echeverri)
Reading at CC: Berlin, Gr_und, 25 October
Liquid Crystal II for ‘Collective Body’, published by the Institute of Contemporary Art, London
2016
The Odd Woman and the City: Walking with Sophie Calle for Lyra Magazine
Liquid Crystal for Grace Kevill-Davies’ ~VENUS~ at Fake Estate
The whispering part of the voice: Listening back to ‘No Screening’ at ICA for aqnb
‘A carving out of space that is designed to end’ for Runway Australian Experimental Art
Harvesting the Dregs Ariana Reines + Oscar Tuazon at Modern Art, London for aqnb
Movie-Time for Romii Fulton-Smith’s Slowspace at One Place After Another
SALT Magazine: Noli Me Tangere: Sloterdijk’s Bubbles
Three texts for SafARI 2016:
Mille Tindresse
On the Tent
Planet Hysterica
2015
Dissect Journal: A Moving Target, Hito Steyerl at the ICA, London
That Crevice Between Two Beams for Jarrod van der Ryken’s Blackwell Street at Firstdraft
2014
BOMB Magazine: Daniel McKewen & Madeleine Stack
Eyeline #83 The Invocation of the Dead: Matthew Barney’s River of Fundament at BAM, New York
Eyeline #82 Laure Prouvost’s For Forgetting at the New Museum, New York
Cold Shouldered for Charles Robb’s Loss Control at Spiro Grace Art Rooms
2013
The Sun’s Ex-Girlfriend for Camille Serisier’s Ovid’s Medusa at Inhouse Ari
Eyeline #78/79 Do Not Disturb. One on One at KW Institute, Berlin